|
POETIC VISION
|
|
GOLDEN FLEECE Inter Art Center, 798 District Beijing
Wang Wei ARTISTS:
An exhibition of Irish and Chinese contemporary art in the ‘Year of the Ram’ and inspired by the Yeats poem ‘Sailing to Byzantium’
Curated by Niamh Cunningham, Fion Gunn and Brendan Jamison ‘That is no country for old men. The young In one another's arms, birds in the trees’ W.B. Yeats
The fleece is a symbol of authority and kingship. The quest for the Golden Fleece, like that of the Holy Grail, describes a universal aspiration, a search for meaning and the desire to leave a legacy.
The artists in this exhibition explore their own personal quests for meaning and elucidation through the media of textile and fibres, painting and mixed media artworks. Yeats’ unforgettable imagery of ‘mackerel crowded seas’ and objects ‘as Grecian goldsmiths make, of hammered gold and gold enamelling’ has inspired the artists to produce a range of work which confronts the difficult dilemma of artifice verses nature, of ageing and of destruction in diverse and beautiful ways. Sailing to Byzantium THAT is no country for old men. The young in one another's arms, birds in the trees - Those dying generations - at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unageing intellect. An aged man is but a paltry thing, A tattered coat upon a stick, unless Soul clap its hands and sing, and louder sing For every tatter in its mortal dress, Nor is there singing school but studying Monuments of its own magnificence; And therefore I have sailed the seas and come To the holy city of Byzantium. O sages standing in God's holy fire As in the gold mosaic of a wall, Come from the holy fire, perne in a gyre, And be the singing-masters of my soul. Consume my heart away; sick with desire And fastened to a dying animal It knows not what it is; and gather me Into the artifice of eternity. Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enamelling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.
|
A MEDITATION IN TIME OF WAR Dong Yue Art Museum Beijing
Fion Gunn ARTISTS:
An exhibition of Irish and Chinese contemporary art inspired by war poetry Curated by Niamh Cunningham, Fion Gunn and Brendan Jamison
In 1921, amidst a destructive civil war in Ireland, William Butler Yeats (1865-1939) wrote his Meditation, some 16 years before the unspeakable, unimaginable savagery of the Nanjing Massacre. He described the series of poems inspired by these events as “…philosophical but simple and passionate, a lamentation over lost peace and lost hope.”
His words are echoed in the work of Wing Tek Lum (1946-) who embarked on his series of poems relating to the massacre in 1997. Despite the intervening 76 years and distance of over 9,000 km, the difference of language and culture, their words share the same values; the recoil from destruction and the recognition of a terrible emotional and moral loss.
The exhibition unites artists from Ireland, Northern Ireland and from different parts of China and is particularly timely in 2015, as the world commemorates the 70th year since the end of WW2 and Ireland remembers the 150th anniversary of Yeats’ birth.
Just as Yeats was influenced by Chinese and Japanese imagism and poets such as Li Bai (701-762), in turn, his work is well known and appreciated in China. Dalian University of Technology Press published a translation of Yeats’ work by Ying Shi De Pu in 2013. Another of the four main translators are Prof. Fu Hao who gave a talk translating Yeats in June 2011 at the Beijing Foreign Studies University and he kindly tarnslated the poetry for all three of this year's Irish Wave exhibitions.
'A Meditation in Time of War' explores the difficult legacy of conflict across cultures and timelines in a range of media with many touch points to the poetry of Yeats and Lum.
Jamison, Cunningham and Gunn have curated this exhibition which will incorporate relevant texts from Yeats & Lum in English and as a complex poetic conversation about the meaning of war in our world.
ARTISTS CONNECTING WITH YEATS POETRY: David Turner Red Hanrahan’s Song about Ireland "Angers that are like noisy clouds have set our hearts abeat…” 红发罕拉汉关于爱尔兰的歌 喧闹的乌云似的愤怒使我们的心脏狂跳； ________________
Naimh Cunningham An Irish Airman Forsees his Death ..."A lonely impulse of delight drove to his tumult in the clouds" 位爱尔兰飞行员预见自己之死 股寂寞的愉快冲动 长驱直入这云中骚乱； ________________
Brendan Jamison Adam’s Curse “….it had all seemed happy and yet we’d grown As weary hearted as that hollow moon” 亚当所受的诅咒 那似曾幸福，然而我们已经 那空洞的残月般心灰意冷。 ________________ Sean Campbell Owen Aherne and His Dancers “Speak all your mind, my Heart sang out. Speak all your mind, who cares” 欧文·阿赫恩及其舞者 说出你全部心意，”我的心高唱， 说出你全部心意；谁在意 ________________ Ciaran Magill The Empty Cup "And for that reason am I crazed And my sleep is gone” 空杯 为此原故，我疯了， ________________ His Phoenix “There’ll be that crowd, that barbarous crowd, through all the centuries…” 他的不死鸟 世世代代都会有那样一群，那野蛮的人群， ________________ Human Dignity “I could recover if I shrieked My heart’s agony To Passing Bird but I am dumb From Human Dignity” 人类的尊严 假如把内心痛苦 冲掠过的飞鸟嘶喊， 就可能复元，但我哑然， 由于人类的尊严。 ________________ An Image From a Past Life “And thereupon there comes that scream From terrified, invisible beast or bird: Image of poignant recollection” 来自前世的一个形象 于是有尖叫的声音来自 受惊的、看不见的野兽或飞禽： 深刻记忆的形象。 ________________
His Memories “And bodies broken like a thorn Whereon the bleak north blows” 他的记忆 和残损的尸骸，犹如 被凄厉的北风吹折的荆棘， ________________ He Bids His Beloved Be at Peace The Horses of Disaster plunge in the heavy clay” 他教爱人平静下来 灾害的群马都投进沉重的凡胎肉体。 ________________ Baille and Aillinn “…Imagining and Pondering Heavan knows what calamity” 波伊拉和艾琳 想象和沉思着 天知道什么灾祸； ________________
|
SMALL WORLD Sanwei Art Center, M50, Shanghai Shanghai
Huang Yin ARTISTS:
An exhibition of Irish and Chinese contemporary art inspired by the love poetry of Yeats Curated by Niamh Cunningham, Fion Gunn and Brendan Jamison in collaboration with Loftooo Gallery. 'The world is full of magic things, patiently waiting for our senses to grow sharper'. W.B. Yeats This exhibition celebrates the diversity and richness of Irish and Chinese cultures - 'Small World', an international group shown focusing on the power of miniature artworks. A tiny scale can lead to a much deeper level of connection as the viewer engages at such close range so as to render the process 'intimate'. Many small-scale 3D works disorient the viewer, creating Gulliver-like awareness and a sense of no longer recognising the life size landscape which we inhabit. The show is curated from a post-modernist position, exploring multiple histories and rebelling against the modernist, theatrical use of scale. Yeats, whose focus on visual imagery was so acute, whose exploration of intimacy so relentless, is the perfect literary companion for these innovative and complex works.
He wishes for the Cloths of HeavenHad I the heavens' embroidered cloths, W.B. Yeats
ARTISTS CONNECTING WITH YEATS POETRY: Brendan Jamison A Prayer for my Daughter “How but in custom and in ceremony Are innocence and beauty born?” 为我女儿祈祷 若非在风俗和礼仪之中， 纯真和美丽又如何诞生?________________ Fion Gunn When You Are Old “When you are old and grey and full of sleep And nodding by the fire, take down this book And slowly read, and dream of the soft look Your eyes once had, and of their Shadows Deep” 当你年老时 当你年老，鬓白，睡意沉沉， 火旁打盹之时，取下这本书， 慢慢诵读，梦忆从前你双眸 神色柔和，眼波中倒影深深； ________________ Pamela Hardesty He Wishes For The Cloths of Heavan “I have spread my dreams under your feet Tread softly because you tread upon my dreams” 他冀求天国的锦缎 我已把梦铺在你脚下； 轻点，因你踏着我的梦。 ________________ Mark Revels A Memory of Youth “We sat as silent as a stone We knew, though she’d said not a word, That even the best of love must die” 青春的记忆 我们默坐着像石头一样， 她一言不发，我们也知道 即使最好的爱情也必死， ________________ Sean Campbell The Lake Isle of Inishfree "I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart's core." 湖岛因尼斯弗里 我要起身前去，因为每夜每日 我总是听见湖水轻舐湖岸的低音； 站在马路上，或灰色的人行道上之时， 我都在心底里听见那声音。 ________________ The Cap and Bells “To her right hand came the red one, To her left hand came the blue” 饰铃帽 红的降在她右手上， 蓝的落入左手心。 ________________ Among School Children; Labour is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. Oh Chestnut tree , great rooted blossomer, Are you the leaf, the blossom or the bole? Oh body swayed to music oh brightening glance, How can we know the dancer from the dance? 在学童中间 肉体不为取悦灵魂而损伤， 美不是生于自身的绝望断念， 花眼的智慧不出自夜半灯光， 劳动就会开花或起舞蹁跹。 呵，栗树，根壮而繁花兴旺， 你究竟是叶子、花朵还是枝干？ 呵，身随乐摆，眼光照人， 我们怎能将舞者和舞蹈区分？ ________________ Stolen Child Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we've hid our faery vats, Full of berries And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand. For the world's more full of weeping than you can understand.
拐走的孩子 斯利什森林的陡峭 岩岸浸泡入湖水处， 有一个蓊郁的小岛， 那里有振翅的白鹭 把瞌睡的水鼠惊扰； 在那里我们已藏好 满盛着浆果的魔桶， 偷来的樱桃红通通。 人类的孩子啊，走！ 跟一个精灵，手拉手， 到那水上和荒野里， 因为人世溢满你不懂的哭泣。 ________________ |
|
GOLDEN FLEECE Inter Art Center Sevenstar Main Street, 798 Art Zone, No. 4 Jiuxianqiao Road, Chaoyang District, Beijing 大山子艺术区 朝阳区 酒仙桥路4号大山子艺术区
YELLOW FORKLIFT TRUCKS (2015) Brendan Jamison Wool over wire. Floor installation. Dimensions of sculptures from 23 x 47 x 22 cms to 10 x 16 x 8 cms.
#
BYZANTIUM EMPRESS (2015) David Turner h=Hama beads. 46 x 37.5 cms
王薇《向日葵》布上油画 SUNFLOWER (2012) Wang Wei Oil on canvas. 150 x 150 cms
王薇《紫花 》布上油画 PURPLE FLOWER (2012) Wang Wei Oil on canvas. 150 x 150 cms
王薇《向日葵》布上油画 王薇《紫花 》布上油画 SUNFLOWER (2012) and WALL FLOWER (2012) Wang Wei Oil on canvas. 150 x 150 cms each
SAILING PAST (2014) Fion Gunn Acrylic and collage on canvas. 33 x 48 cms
SAILING TO BYZANTIUM - BOAT (2015) Fion Gunn Mixed media with gold leaf. 23 x 12 x 10 cms
SAILING TO BYZANTIUM - DOPLHIN (2015) Fion Gunn Mixed media with gold leaf. 53 x 21 x 17 cms
ON ANY GIVEN DAY (2014) Gail Ritchie muslin, wire, hemp, beads and glass. 10 x 35 x 8 cms
Detail of ALL PERSONS FICTITIOUS DISCLAIMER CHROMA V (2014) Sean Campbell Kiln formed glass. 30 x 45 cms.
ALL PERSONS FICTITIOUS DISCLAIMER CHROMA V (2014) Sean Campbell Kiln formed glass. 30 x 45 cms.
ALL PERSONS FICTITIOUS DISCLAIMER CHROMA VI (2014) Sean Campbell Kiln formed glass. 30 x 45 cms.
EXCAVATION (2014) Theresa Bloise Intaglio and silkscreen on paper, 53 x 75 cms
戚彧 《元界NO：013-02》 布面陶瓷复合材料 Qi Yu, Original No. 013-02. Ceramic and oil on canvas. 150 x 150 cms
戚彧 《元界NO：013-03》布面陶瓷复合材料 Qi Yu, Oiginal No. 013-03. Ceramic and oil on canvas. 150 x 150 cms.
SILK RIBBON SERIES (2006) Ma Yanling Microjet. 25 x 36 cms.
THEY WILL NOT HUSH, THE LEAVES A FLUTTER ROUND ME (2015) Niamh Cunningham Oil on canvas and Ginko leaves, 110 x 160 cms
ISTANBUL (2014) Chen Meitsen Ink and paint on paper. 60 x 80 cms
BUS STOP NEAR ANDINGMEN (2014) Niamh Cunningham Oil on canvas, 90 x 130 cms
伊灵<<新的世界，没有战争，仿生建筑，家居，大海>> 厘米 版画 NEW WORLD (2008) Yi Ling New world, no war, bionical architecture, home, sea. 60 x 70 cms
伍时雄 << 一体同观NO.1>> 铜雕 伍时雄 <<一体同观NO. 2>> 铜雕 YING AND YANG (2014) Wu Shixiong Bronze. 33 x 24 x 7 cms and 25 x 24 x 7 cms
HILLSIDE YUNNAN PANORAMA (2014) Niamh Cunningham Oil on canvas, 50 x 150 cms
GOLD BOAT (2015) Mary McCaffrey Oil and gold leaf on canvas board. 45 x 35 cms
卢君 《意大利.南帝罗尔 》雕刻 ITALIE, SUD TIROL (2012) Lu Jun Engraving. 63 x 83 cms
卢君 <<圣.埃米里翁小镇 >> 雕刻 St. Emilion (2012) Lu Jun Engraving. 55 x 65 cms
LONLINESS APPEAL (2014) Wu Shuang Oil on canvas. 90 x 120 cms
GOLDEN EYE i and ii (2015) Ciaran Magill Dye on golden fabric. 100 x 60 cms each
BELIEVERS (2014) Pamela Hardesty Paper, acrylic, gold leaf and cotton thread. 45 x 45 cms
YEATS'S ECO QUOTES (2015) Niamh Cunningham Full length filter correction fluid on hepa filter. 240 x 30 cms
HEAD 1 (2014) Caroline Schofield Stitched drawing. 59 x 42 cms
HEAD 2 (2014) Caroline Schofield Stitched drawing. 42 x 59 cms
SAILING TO BYZANTIUM (2015) Patty Hudak Acrylic paint and gold leaf on voile. 300 X 2,500 cms.
罗莹 <<戏仿捣练图>> 熟宣纸 ANTIQUE IMITATION OF TEXTILE (2009) Luo Ying Rice paper. 138 x 69 cms.
付小桐 <<719,000孔>> 手工宣纸 Fu Xiao Tong, 719,000 holes, 2015. Hand made paper. 85 x 116 cms.
Face Mask Dress Performance (2015) Kong Ning
ERUPT/CONSTRUCT (2015) Mark Revels Installation of porcelain body cast with wool and felt spheres. 200 x 220 x 240 cms
彦风＋吴帆 <<自言自语>> 装置，书，影像 Yan Feng and Wu Fan, Self Q and A, 2013 Installation, video. Variable dimensions.
伊灵, <<诞生>> 厘米 版画 BIRTH (2014) Yi Ling Print. 50 x 70 cms
LANDSCAPE AND SHADOW (2015) Shao Kang Plaster sculpture installation with table and lights. 120 x 150 x 500 cms
Sailing to Byzantium by W.B. Yeats, Chinese translation by Professor Fu Hao
|
A MEDITATION IN TIME OF WAR Dong Yue Art Museum 99 Chao Wai Street, Gongti, Beijing
ATOMIC EXPLOSION (2015) David Turner. Hama Beads. 46 x 37.5 cms
CSSVX15 (2015) Mark Revels Ceramic. 20 x 34 x 25 cms
伍伟 <<红色之轻-1>> 纸 RED LIGHT 1 (2014) Wu Wei 53 x 38 cms each
LITTLE ACTS OF CRUELTY [in response to Wing Tek Lum] (2015) Gail Ritchie Giclee Print, artist's proof. 59 x 84 cms
ON THE WAY OF PILGRIMAGE (2013) Pan Yiqun Plasticine. 90 x 120 x 15 cms
<<绿松>>李镇 布面油画 GREEN PINE (2014) Li Zhen Oil on canvas. 100 x 100 cms.
MARTYR TOWER (2006) Ma Yanling Microjet. 36 x 36 cms.
罗莹 <<梦幻与武力>> 熟宣纸 FANTASY AND FORCE (2003) Luo Ying Rice paper. 64 x 64 cms.
LONELY IMPULSE OF DELIGHT (2015) Niamh Cunningham Oil on canvas, 110 x 146 cms
THE DARK NIGHT (2014) Pamela Hardesty Paper and acrylic. 20 x 40 cms
THE GROUND OF THE SOUL (2014) Pamela Hardesty Paper, acrylic and gold leaf. 25 x 25 cms
INANIMATE FANTASY 1 (2015) Patty Hudak Acrylic and oil on canvas. 100 x 100 cms
INANIMATE FANTASY 2 (2015) Patty Hudak Acrylic and oil on canvas. 100 x 100 cms
INANIMATE FANTASY 3 (2015) Patty Hudak Acrylic and oil on canvas. 100 x 100 cms
INANIMATE FANTASY 4 (2015) Patty Hudak Acrylic and oil on canvas. 100 x 100 cms
付小桐 <<970,000个孔>> 手工宣纸 Fu Xiao Tong, 970,000 holes, 2015. Hand made paper. 87 x 82.5 cms
VIEW FROM A DISTANT SHORE #1 (2015) Fion Gunn Paper, acrylic piant and collage. 60 x 40 cms.
DISPLACED WORLD 1 (2014) Fion Gunn Papers, acrylic and collage. 30 x 22 cms
DISPLACED WORLD 3 (2014) Fion Gunn Papers, acrylic and collage. 58 x 35 cms
Fion Gunn, End of the Wolrd Series #5. Acrylic, papers and varnish. 29 x 23 cms.
THE VIEW FROM MARS (2014) Fion Gunn Paper collage with acrylic and gold leaf 60 x 150 cms
THE VIEW FROM MARS 3 (2014) Fion Gunn Papers, acrylic and collage. 58 x 35 cms
URBAN DREAMS 2 (2014) Fion Gunn Acrylic and collage on paper. 32 x 24 cms
男人和男孩 高小翡 布面油画 MAN AND BOY (2008) Gao Xiaofei Oil on canvas. 56 x 56 cms
SOLDIERS (2015) Ciaran Magill Watercolour on paper 29 x 40 cms
YOUNG SOLDIER (2015) Ciaran Magill Watercolour on paper 29 x 40 cms
<<黑山水>> 李镇 布面油画 每幅 BLACK LANDSCAPES FROM THREE MASTERPIECES (2014) Li Zhen. 50 x 50 cms each..
WARP (2014) Theresa Bloise Collage and watercolour on paper, 53 x 75 cm
ALL PERSONS FICTITIOUS DISCLAIMER X-Scape I and II (2014) Sean Campbell Kiln formed glass and miniature model figures. 33 x 20 cms each.
ALL PERSONS FICTITIOUS DISCLAIMER X-Scape V and VI (2014) Sean Campbell Kiln formed glass and miniature model figures. 33 x 20 cms each.
<<再见吧武器>> (2014) 红云 GOODBYE WEAPON (2014) Lei Yan 纸质雕塑180 x 90 x 80 cms. Paper sculpture. 180 x 90 x 80 cms
Installation detail: IN A TIME OF BLITZ (2015) Brendan Jamison Carved sugar cubes. Watch: 2.5 x 52.5 x 11 cms Srrounding cubes: 20 x 120 x 80 cms
Chen Meitsen, Paradis sur Terre series - Singapore, 2011. Ink and paint on paper. 60 x 80 cms.
田辉 <<静观>> 漆画 Tian Hui, Contemplation. Lacquer painting on board. 70 x 50 cms.
RING (2011) Wu Shuang. Oil on canvas. 150 x 200 cms
戚彧 《元界NO：013-02》 布面陶瓷复合材料 Qi Yu, Phase State, No. 013-04, 2013. Ceramic and oil on canvas. 100 x 100 cms.
戚彧 《2012NO：08》 布面陶瓷复合材料 Qi Yu, 2012 No. 08. Ceramic and oil on canvas. 150 x 150 cms.
Raine Hozier Byrne, Factory. Oil on canvas. 99 x 150 cms.
Debbie Dawson, There,Not There, 2014. Painted and leaded float glass. 30 x 60 cms
A Meditation in Time of War by W.B. Yeats, Chinese translation by Professor Fu Hao
|
IRISH WAVE ARTISTS
SMALL WORLD Sanwei Art Center, M50 Room 4B-106, No. 50 Moganshan Road, Putuo District, Shanghai
Feng Hao, Nirvana, 2014. Acrylic on canvas. 35 x 70 cms.
Feng Hao, Voiceless 4, 2013. Acrylic on canvas. 60 x 60 cms.
Homage to Ste Exupéry (2015) Fion Gunn Mixed media. 30 x 25 x 17 cms.
LYING DOWN IN A NEW PLACE (2015) Fion Gunn Papers, acrylic and collage. 29 x 42 cms
Huang Xiao, A sunflower which fell in love with sunshine, 2015. Acrylic on canvas, 120 x 80 cms.
Huang Xiao, Daughter of Furong in Da Guanyuan, 2014. Acrylic on canvas, 60 x 50 cms.
LOVE LETTERS (2015) Mary McCaffrey Paper sculpture. 30 x 20 x 20 cms
CLANDESTINE SHREDDING (2013) Maeve Lynch Wax, shredded paper, book cover. 15 x 15 x 18 cms.
BUILT OF CONCRETE AND CLOTH II (2014) Maeve Lynch Cotton, photo intaglio print, monoprint and concrete. 5 x 40 x 35 cms.
GONG (2015) Audrey Mullins Mixed media collage on paper. 17 x 17 cms
BEFORE ME FLOATS AN IMAGE (2015) Audrey Mullins Mixed media collage on paper. 17 x 17 cms
IN GLORY OF CHANGELESS METAL (2015) Audrey Mullins Mixed media collage on paper. 17 x 17 cms
OUT OF NATURE (2015) Audrey Mullins Mixed media collage on paper. 17 x 17 cms
WHAT IS PAST, OR PASSING, OR TO COME (2015) Audrey Mullins Mixed media collage on paper. 17 x 17 cms
CCX14 (2014) Mark Revels Black ceramic, 23 x 17 x 17 cms
卢君 <<巴黎屋顶>> 雕刻 PARIS (2010) Lu Jun Engraving. 55 x 65 cms.
CONVERSION (2014) Pamela Hardesty Paper, acrylic, gold leaf and cotton thread. 20 x 40 cms
<<红色是温暖的>> 张欣 木板油画 RED IS THE WARMEST COLOUR (2014) Zhang Xin Oil on canvas. 20 x 20 cms
TURNING AND TURNING IN THE WIDENING GYRE (2015) Patty Hudak p Oil and acrylic on wood. 30 x 30 cms
YOU STOOD AMONG THE DRAGON RINGS (2015) Patty Hudak Oil and acrylic on wood. 30 x 30 cms
THE FALLING OF THE LEAVES (2015) Patty Hudak Oil and acrylic on wood. 30 x 30 cms
Ciaran Magill, Struggle. Watercolour on paper. 29 x 42 cms
BABY DOLL (2014) Yo Ye Chu Chinese ink on paper. 30 x 24 cms
A DOLL'S HOUSE 1 (2014) Yo Ye Chu Chinese ink on paper. 24 x 30 cms
A DOLL'S HOUSE 2 (2014) Yo Ye Chu Chinese ink on paper. 24 x 30 cms
A DOLL'S HOUSE 3 (2014) Yo Ye Chu Chinese ink on paper. 24 x 30 cms
AANAYLTIC OF THE SUBLIME XI (2014) Raine Hozier Byrne Oil on canvas. 25 x 18 cms
AANAYLTIC OF THE SUBLIME VIII (2014) Raine Hozier Byrne Oil on canvas. 25 x 18 cms
一代女生 高小翡 布面油画 SCHOOL (2012) Gao Xiaofei Oil. 40 x 60 cms
SPIRITUAL OBJECT 1 (2014) Huang Yin Oil on wood. 40 x 40 cms.
SPIRITUAL OBJECT 2 (2014) Huang Yin Oil on wood. 40 x 40 cms.
BABY BLUE SUBMARINE (2012) Brendan Jamison Microcrystalline and paraffin wax over wood, 18 x 26 x 12 cms
BARELY LEGAL TEENS (2015) David Turner Hama beads. 25 x 20 cms.
《周涛的视界》 蒋焕 亚麻布油画 ZHOU TAO'S POINT OF VIEW (2011) Jiang Huan Oil on canvas. 40 x 30 cms.
UNKNOWN i (2013) Wu Jun Print on paper. Edition 34/300
UNKNOWN ii (2014) Wu Jun Print on paper. Edition 34/99
UNKNOWN iii (2012) Wu Jun Print on paper. 60 x 160 cms
He wishes for the Cloths of Heaven by W.B. Yeats, Chinese translation by Professor Fu Hao
|
INTIMATE PERSPECTIVES Shanghai Grand Theatre 300 Renmin Avenue, Huangpu, Shanghai
Niamh Cunningham, Electric Picnic. Oil on board, 26 x 26 cms.
Niamh Cunningham, Gate House St. Dympnas. Oil on board, 26 x 26 cms.
Niamh Cunningham, Sandbags on Barrow. Oil on board, 23 x 28 cms.
Fion Gunn, A History 4. Papers, acrylic and collage. 29 x 36 cms
Fion Gunn, City Child #1. Collage and acrylic paint on paper. 29cm x 21cms Fion Gunn, City Guild 2. Collage and acrylic paint on paper. 29 x 21 cms.
Fion Gunn, Tourist in a Future City #3. Collage, acrylic paint and papers. 39 x 17 cms
Brendan Jamison, Red Hot Radome at Teufelsberg Spy Station, Berlin (after a pinhole photographic collaboration with Peter Richards) Collage. 34.5 x 26 cms.
Brendan Jamison, The 5 Radomes of Teufelsberg Spy Station, Berlin. (after a pinhole photographic collaboration with Peter Richards) Collage on paper. 23 x 48 cms.
Mark Revels, GDVX-15. Photo print. 25 x 25 cms.
Mark Revels, RIVX-15. Photo print. 25 x 25 cms.
Mark Revels, SCVX-15. Photo print. 25 x 25 cms.
|
|
© Brendan Jamison 2000-2014
|
